A day of remembrance, restoration powwow, Paiute monument

Wolf Springs drum stands at the 33rd Anniversary Paiute Restoration Powwow, Cedar City, Utah, June 14, 2014 | Photo by Aspen Stoddard, St. George News

CEDAR CITY — Saturday marked a day of historical significance for the five Paiute bands of Utah with the dedication of the Paiute monument and the 33rd Anniversary Paiute Restoration powwow held in remembrance of becoming federally recognized after being terminated for over two decades.

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Main Street Tribal Parade, Dedication of the Paiute monument and 33rd Anniversary Paiute Restoration Celebration, Cedar City, Utah, June 14, 2014 | Photo by Aspen Stoddard, St. George News

Following the Main Street tribal parade, more than 70 people gathered for the dedication of the Paiute monument —  igneous boulders mounted along the sidewalk in front of the Cedar City Public Library with replicated picture and rock writing chiseled into them.

The petroglyphs represent the stories of the Paiute’s history to not only inform those of the present but to educate future generations, Cedar City Mayor Miley Wilson said. This project was a joint effort between Cedar City, Cedar band of Paiutes and the Church of Jesus Christ of Latter-day Saints and was funded through Cedar City’s recreation and arts taxes, Dane Leavitt said. Leavitt represents the area-70 LDS church and was part of the progression of this project four years ago.

“It was only a couple of rocks until we got Ray involved,” Lyman Hafen, who chiseled the rocks, said. “I call it chipping or etching, none of the images were my selection. I was given a panel that was approved by the tribal council.”

Tribal Chairwoman of the Paiute tribes of Utah Gari Lafferty said she didn’t get involved with the project until about a year ago but that it was really neat to see it sketched out and the blueprints and now see it come to pass.

Native Americans tried to leave the land as they found it, but they did leave little clues,” Lafferty said. “I’m very proud to say I’m full-blooded Paiute.”

The 33rd Anniversary Paiute Restoration Gathering powwow commemorates the reinstatement of federal recognition after the five bands of Utah Paiutes were terminated in the late 1950s.

According to the Utah History Encyclopedia, although Bureau of Indian Affairs documents recognized that the Paiutes were not ready to survive without the benefits of the trust relationship with the U.S. federal government, Utah Senator Arthur Watkins included them on the list of tribes to be terminated. Without federal tax protection, health and education benefits, or agricultural assistance, the Paiutes were reduced to a miserable existence during the late 1950s and 1960s.

Efforts toward restoration began in 1973 with a circulation of petitions calling for the federal government to again recognize the Utah Paiutes. It wasn’t until April 3, 1980, that President Carter signed legislation that restored federal recognition of the Paiutes.

“I was living on the Shivwits reservation during the time when they were terminated,” Paiute Clarence “Beans” John said. “They didn’t claim us anymore. If you didn’t have an education you became a transient.”

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Drum. Dedication of the Paiute monument and 33rd Anniversary Paiute Restoration Celebration, Cedar City, Utah, June 14, 2014 | Photo by Aspen Stoddard, St. George News

Mens fancy dancer Farron Kanosh of the Indian Peaks band of Paiutes was taken from his parents when he was 5 years old and moved to Roosevelt, Utah, where he was assimilated into the modern-day American culture.

“I lost my language, I lost my culture, I lost my identity. It was like I was reprogrammed. I served an LDS mission in Argentina. Then I got back and had a different perspective,” he said. “The religion teaches you there is a hell, we as natives don’t believe in hell.”

During the Grand Entry, the dancers come from the east side. Mormons believe that when Jesus returns it will be from the east. The dancers move around in a clockwise position because it represents the way the sun moves across the sky: from the east to the west.

“When we dance we do it to bring happiness to everyone,” Kanosh said. “The colors I wear are scarlet and gold because I was in the U.S. Marine Corps. I had three brothers die in Vietnam, that’s why I dance – to remember them. The fancy dance came about in the 1920s, it’s known as contemporary.”

Each drum has a story behind it, said Charley Bulletts, of the Kaibab band of Paiutes and a singer in the Wolf Springs Northern Drum. Learning to drum doesn’t come from a class, it comes from feeling the beat inside your heart.

“That’s why you see non-native, Hispanics moving their heads, their bodies to the rhythm,” Bulletts said. “It’s our connection to something spiritual.”

The most common misconception about Native Americans, fancy dancer Navajo Matt Cazares said, is that they are struggling alcoholics, lazy and living off of the government.

“The people here at this powwow are celebrating strength,” Cazares said. “We wear bright colors because we believe color is a medicine, that it heals.”

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1 Comment

  • Tami Borchardt June 18, 2014 at 5:52 pm

    It was actually the 34th Annual Restoration Gathering and Pow Wow

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